Passage #3 (Questions 51-55) No one who had ever seen Catherine Morland in her infancy, would have supposed her born to be an heroine. Her situation in
life, the character of her father and mother, her own person and disposition, were all equally against her. Her father was a
clergyman, without being neglected, or poor, and a very respectable man, though his name was Richard--and he had never been
handsome. He had a considerable independence, besides two good livings--and he was not in the least addicted to locking up
his daughters. Her mother was a woman of useful plain sense, with a good temper, and, what is more remarkable, with a good
constitution. She had three sons before Catherine was born; and instead of dying in bringing the latter into the world, as any
body might expect, she still lived on--lived to have six children more--to see them growing up around her, and to enjoy
excellent health herself. A family of ten children will be always called a fine family, where there are heads and arms and legs
enough for the number; but the Morlands had little other right to the word, for they were in general very plain, and Catherine,
for many years of her life, as plain as any. She had a thin awkward figure, a sallow skin without colour, dark lank hair, and
strong features:--so much for her person;--and not less unpropitious for heroism seemed her mind. She was fond of all boys’
plays, and greatly preferred cricket not merely to dolls, but to the more heroic enjoyments of infancy, nursing a dormouse,
feeding a canary-bird, or watering a rosebush. Indeed she had no taste for a garden; and if she gathered flowers at all, it was
chiefly for the pleasure of mischief--at least so it was conjectured from her always preferring those which she was forbidden to
take--Such were her propensities--her abilities were quite as extraordinary. She never could learn or understand any thing
before she was taught; and sometimes not even then, for she was often inattentive, and occasionally stupid . . .
【題組】54. The technique of the author can be described as one that
(A) encourages ironic inferences.
(B) is typical in the telling of romantic tales.
(C) is detailed and realistic.
(D) shows affection for the ordinary things of life.
(E) indicates a superior attitude.