28.
(A) goes
(B) does
(C) makes
(D) has

24.(A) is (B) were (C) has been (D) will be

25. (A) Hence (B) In addition (C) Instead (D) On the other hand

26.(A) fun (B) pleasure (C) gladness (D) enjoyment

27. (A) respect (B) respectable (C) respecting (D) respective

29.(A) will be (B) will have been (C) were (D) would have been

30. (A) imposed (B) donated (C) awarded (D) contributed

31.Which statement about the vampire as a figure that metaphorically connects death and sex is NOT true?(A) When the cultural sensibilities of a society do not allow representations of sexual encounters between characters in a horror fiction, vampirism can serve as a substitute. (B) Vampire sexuality in horror fictions represents dreads and anxieties about sexual act, which the society that reads the fictions may take as punishable by death. (C) Vampires always force themselves sexually onto women, without other kinds of approach, because the sexuality features "foreignness, animalism, and dreamlike qualities." (D) Some vampires in modern horror fictions do not connect their death threats with sexuality.

32.Which vampire as a literary creation is inspired by a historical figure?(A) Dracula (B) Báthory (C) Edward Cullen (D) Lestat

33. Which name can you safely identify as referring to a female vampire?(A) Elizabeth Báthory (B) Stephenie Meyer (C) Sheridan LeFanu (D) Anne Rice

34. Which statement below is correct about the two vampire novels, Joseph Sheridan LeFanu's Carmilla (1871) and Bram Stoker's Dracula (1897), as can be inferred from the passage?(A) The vampires in both novels use their sexual power to take revenge on humans.(B) The 19th-century cultural sensibilities disapproved of sexuality and thus suppressed the publication of the two novels with vengeance.(C) These two novels challenged the 19th-century sensibilities against sex by representing it through vampirism in a substitutive fashion.