46 What is the passage mainly about?
(A) The origin of European art.
(B) The ancient buildings of Paris.
(C) The importance of art to the French.
(D) The development of architecture in France.

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統計: A(307), B(158), C(1188), D(723), E(0) #2032577

詳解 (共 8 筆)

#4650468

 

Wherever you go in France, the country`s artistic heritage遺產 is very much in evidence. France does have her share of ugly urban sprawl蔓延 (都市擴張) and unlovely out-of-town hypermarkets大賣場, but these are eclipsed by her wealth of beautifully restored被修復的 and maintained維護的 historic buildings which, together with striking引人注目的 new architecture and works of art, are part of the fabric of everyday life.

法國這個城市雖然有些醜陋的建築,但被被她豐富的經過精心修復和維護的歷史建築所掩蓋。#第47題

eclipse (v.) 蝕(月亮那個),引申覆蓋、掩蓋 

fabric (n.) 織物/布料,引申為生活中的一部份

#第46.48題 

France has had an important role throughout the history of western art which began with the cave painters of the Dordogne, long before their land became a nation. From the Renaissance文藝復興 onwards French kings invited the finest European painters to decorate their palaces宮殿, and Paris became the center of nearly all important artistic developments, whether the artists concerned were French or not. It was only in the nineteenth century that French painters formed a distinctively獨特地 French movement法國運動 that was far more influential than the Flemish, German and Italian schools派系 of previous centuries. #第49題The impressionists印象派 and their successors繼任者 radically根本 altered the direction of European art, attracting even more foreign artists to Paris.印象派及其繼任者從根本上改變了歐洲藝術的方向,吸引了更多的外國藝術家前往巴黎。 Since the seventeenth century, when the Academies of painting and sculpture, and architecture were founded, architecture and the visual arts have been a central concern of the French state國家. Today, the Ministry of Culture文化部 is housed in the elegant優雅的 seventeenth-century Palais-Royal, alongside two of the nation`s highest institutions, the Conseil Constitutionnel and the Conseil d`Etat, exemplifying體現 the belief of Catherine Trautmann, the culture minister文化部部長 from 1997 to 2000, that “culture is at the heart of our democratic system.”文化是我們民主制度的核心 

#第50題

This sentiment情緒 echoes呼應 the aims of herpredecessors前任 who include de Gaulle`s post-war minister Andre Malraux and Mitterrand`s innovative and daring minister, Jack Lang, both of whom wanted to enrich the lives of ordinary普通的 citizens.這種情緒呼應了她的前任的目標,包括戴高樂的戰後部長安德烈·馬爾羅和密特朗的創新大膽的部長傑克·朗,他們兩個都想豐富普通民眾的生活。

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#5303759
無論你去到法國的哪裡,這個國家的藝術遺產...
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46主要是關於什麼?(A)歐洲藝術的起源...
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無論您在法國的任何地方,該國的藝術遺產都...
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heritage(N)遺產in evid...
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#6025116
 Wherever無論 you go in France法國, the country’s國家 artistic heritage遺產 is very much in evidence顯而易見、證據.
無論你在法國走到哪裡,這個國家的藝術遺產都是顯而易見的。
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 France does have her share of ugly urban sprawl擴張 and unlovely out-of-town城外 hypermarkets大賣場,
法國確實有她那份醜陋的城市擴張和不可愛的城外大賣場,
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but these are eclipsed遮蔽 by her wealth豐富、大量 of beautifully restored恢復 and maintained維持 historic buildings which,
但這些都被她大量經過精心修復和維護的歷史建築所掩蓋,
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together with striking敲擊、顯著 new architecture建築 and works of art藝術品, are part of the fabric結構 of everyday life.
這些建築與引人注目的新建築和藝術品一起,是日常生活結構的一部分。
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France has had an important role角色 throughout貫穿、遍及各處 the history of western西方 art which began開始 with the cave洞穴 painters畫家 of the Dordogne, long before their land土地 became a nation國家.
法國在西方藝術史上一直扮演著重要的角色,西方藝術史始於多爾多涅的洞穴畫家,早在他們的土地成為一個國家之前。
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From the Renaissance文藝復興 onwards之前 French kings invited the finest最好的 European歐洲 painters畫家 to decorate裝飾 their palaces宮殿,
從文藝復興時期開始,法國國王邀請最優秀的歐洲畫家來裝飾他們的宮殿,
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and Paris became the center中心 of nearly幾乎 all important artistic developments發展, whether無論 the artists concerned有關 were French or not.
巴黎成為幾乎所有重要藝術發展的中心,無論有關藝術家是否是法國人。
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 It was only in the nineteenth century世紀 that French painters formed形成 a distinctively特殊 French法國 movement運動 that was far遠 more超過 influential影響 than the Flemish佛蘭德, German德國 and Italian義大利 schools of previous先前的 centuries世紀.
直到十九世紀,法國畫家才形成了一個獨特的法國運動,其影響力遠遠超過前幾個世紀的佛蘭德、德國和義大利畫派。
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 The impressionists印象 and their successors繼任者 radically根本上 altered改變 the direction方向 of European歐洲 art, attracting even more foreign artists to Paris.
印象派及其繼任者從根本上改變了歐洲藝術的方向,吸引了更多的外國藝術家來到巴黎。
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Since the seventeenth century世紀, when the Academies學院 of painting繪畫 and sculpture雕刻, and architecture建築學 were founded成立, architecture建築 and the visual視覺 arts藝術 have been a central中心 concern關心 of the French state國家.
自17世紀繪畫學院、雕塑學院和建築學院成立以來,建築和視覺藝術一直是法國國家的核心關注點。
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Today, the Ministry部 of Culture文化 is housed設立 in the elegant優雅 seventeenth-century世紀 Palais宮殿-Royal皇室的, alongside在旁邊 two of the nation’s國家 highest最高 institutions機構、制度, the Conseil憲法 Constitutionnel委員會 and the Conseil d’Etat, exemplifying例子 the belief of Catherine Trautmann, the culture文化 minister部長 from 1997 to 2000, that “culture is at the heart核心 of our democratic民主 system制度.”
今天,文化部設在優雅的 17 世紀皇宮內,與國家兩個最高機構——憲法委員會和 Conseil d'Etat 一起,體現了 1997 年至 2000 年擔任文化部長的凱薩琳·特勞特曼 (Catherine Trautmann) 的信念,即“文化是我們民主制度的核心”。
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This sentiment情緒 echoes回應 the aims of her predecessors前任 who include包括 de Gaulle’s post-war戰後的 minister部長 Andre Malraux and Mitterrand’s innovative創新 and daring大膽 minister, Jack Lang, both of whom wanted to enrich豐富 the lives of ordinary普通 citizens公民.
這種情緒與她的前任的目標相呼應,其中包括戴高樂的戰後部長安德列·瑪律羅和密特朗的創新和大胆的部長傑克·朗,他們都希望豐富普通公民的生活。
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46 What is the passage mainly主要 about?
(A) The origin起源 of European art.
(B) The ancient古老 buildings of Paris巴黎.
(C) The importance of art to the French.
(D) The development發展 of architecture建築 in France.
46 這段經文主要是關於什麼的?
(A)歐洲藝術的起源。
(B)巴黎的古建築。
(C)藝術對法國人的重要性。
(D)法國建築的發展。
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 Wherever you g...
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