46. 下列哪一個動物沒有出現在聖桑的《動物狂歡節》中?
(A)袋鼠
(B)大象
(C)野驢
(D)羊
統計: A(100), B(18), C(74), D(1147), E(0) #840574
詳解 (共 2 筆)
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Introduction and Royal March of the Lion
The suite begins boldly, with pianos and strings evoking the regal entrance of lions, using dramatic chords and a stately, march-like theme.
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Hens and Roosters
Strings and piano mimic pecking, squawking, and crowing, closely resembling chickens bustling in a barnyard.
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Wild Donkeys (Swift Animals)
Two pianos race through rapid scales, imitating the speed and agility of wild donkeys.
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Tortoises
The ensemble slowly plays a comically sluggish version of Offenbach's "Galop Infernal" ("Can-Can"), caricaturing the tortoise's slow pace.
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The Elephant
The double bass and piano create a lumbering feel as the double bass parodies melodies originally written for light instruments.
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Kangaroos
The pianos hop across the keys, depicting kangaroos bouncing and pausing as they move.
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Aquarium
Strings, piano, flute, and glass harmonica swirl shimmering patterns, conjuring the image of fish gliding through sparkling water.
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People with Long Ears (Donkeys)
Two violins alternate between high and low braying sounds, a comic imitation of donkeys' distinctive "hee-haw".
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The Cuckoo in the Depths of the Woods
The pianos play soft background chords, while the clarinet mimics the cuckoo's recognizable two-note call.
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Aviary
Flute, strings, and piano create a lively atmosphere, with the flute soaring and trilling as a bird and strings buzzing in the background like other birds.
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Pianists
This amusing movement pokes fun at piano students practicing scales; the pianos run up and down, interrupted by dramatic chords from the ensemble.
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Fossils
Xylophone, pianos, and strings quote old folk tunes and snippets from Saint-Saëns' own music, evoking relics from the past in a playful way.
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The Swan
A lyrical cello solo floats over rippling piano figures, illustrating a graceful swan gliding serenely over water; it's the most famous movement from the suite.
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Finale
The whole ensemble joins for a vibrant, energetic close, revisiting musical ideas from earlier in the suite with excitement and flourish.