B. Passage 2 For some time now, it has been possible to imagine a moment when you will be able to watch whatever
you want whenever you want in the setting of your choice. The handful of websites that now offer streaming or
downloadable feature films offer a glimpse of what is to come.
One of the intriguing promises these websites hold is a kind of virtual cinematheque. The retrieval and
preservation of film history has been a project of many decades, accelerated and democratized by the rise of the
DVD, which has put hundreds of old films in easy reach of the multitudes. Now, with the Internet that extends the
promise of comprehensiveness and universal accessibility, it is possible to expect that before too long the entire
surviving history of movies will be open for browsing and sampling at the click of a mouse for a few dollars.
Besides making the established home viewing habits a bit easier to indulge, the on-line viewing
experience also makes possible the rise of on-line video as a form of first-run distribution. That is, as more and
more movies that find their public not at the multiplex or the art house, but at your house, the tyranny of feature
films will erode. It is nearly impossible for a film that runs less than 70 minutes to be booked into a theater by
itself, or for, say, a 17-minute movie to be given a block of television time. But on-line screen time is more
flexible and may thus reward filmmakers for brevity or at least economy of expression.
【題組】(45)Which of the following statements about the preservation of film history is true?
(A) The preservation of film history has been complete since the rise of the DVD.
(B) The preservation of film history begins with the advent of virtual cinematheque.
(C) The preservation of film history is easier with the advent of virtual cinematheque.
(D) The preservation of film history has become difficult because of the rise of the DVD.