Artificial intelligence (AI) has been around longer than most people realize. The intent behind much of AI is to free us from mundane repetitive tasks, giving us more time to grow our intellects and businesses, with more interesting, evolving actions. AI offers us that access with speed and accuracy when we need it.

   In London, self-driving robots deliver food. In Pasadena, California, a robot named Flippy can cook. Last fall, an autonomous train made its way across the Australian outback for the first time, and Zhuzhou, China, began testing a trackless and driverless train that navigates city streets by means of lines painted on the road. Artificial intelligence is everywhere. And its adoption is rapidly becoming necessary for businesses to stay competitive.

   How does this affect human employees? Those low-skilled jobs are most likely to be affected and most chances of being automated. White collar jobs are also at risk though with AI taking a bigger role in the financial industry.

   But despite all this, the future for human employees may be much brighter than many recent predictions. While AI destroys jobs, it also creates them. And according to a report from the research firm Gartner, artificial intelligence is currently creating more jobs than it destroys. This includes not only the obvious jobs such as software engineers but also low-level jobs such as training AI to recognize objects or human activity and many others.

   AI may destroy jobs and it may create them, but it's not always about man versus machine. AI can be at its best when it helps humans to perform jobs. For example, Walmart announced it was beginning tests of shelf scanning robots at 50 locations. These robots are not intended to replace human workers but to make them more efficient. The robots scan the condition of shelves, and workers may focus their time on filling the shelves, replacing items left in the wrong place and fixing problems that the robots notify them of.

   Katsushika Hokusai is a Japanese artist of the Edo period (1603-1868). Born in Edo, modern Tokyo, in 1760, he is best known for the woodblock print series Thirty-six Views of Mount Fuji. The series, made in the 1830s, depicted Mount Fuji from different locations and in different seasons. He created the series as a response to a domestic travel boom and as a part of a personal obsession with Mount Fuji. Under the Wave off Kanagawa is the most iconic work of the series. Portraying water is not easy, but Hokusai captured its decisive moments. What enabled him to work in this way was his experience of residing in the Sumida area, with all its rivers and canals, and observing the flow of the Sumida River day by day.

   Hokusai was born in the Sumida district and lived there for almost 90 years. But he was never in one place for long. He found cleaning distasteful and allowed dirt and grime to build up in his studio. When the place became unbearable, he simply moved out. All told, the artist changed residences 93 times throughout his life.

   Constantly seeking to produce better works, Hokusai once commented: "All that I have done before 70 is not worth taking into account. At 75, I will have truly learned the pattern of nature, of animals, of trees and birds. At 80, I shall progress further. At 90, I shall penetrate the mystery of life itself. At 100 I shall be a marvelous artist. When I am 110, each dot and line will possess a life of its own." Hokusai, however, never got to see whether his prediction held true. He died at the age of 88. Prior to his death, he was said to have remarked: "If the son of heaven gives me just another five years, I will become a true artisan."

   During Hokusai's life, the Japanese government enforced isolationist policies to prevent foreigners from entering and citizens from leaving. When Japan opened its boarders in the 1850s, Hokusai's works crossed the ocean and influenced many Western artists such as Edgar Degas, Vincent van Gough, and Claude Monet. Thirty-six Views of Mount Fuji are particularly famous overseas. The composer Debussy was influenced by Under the Wave off Kanagawa when he composed the symphonic works La Mer in 1905. The painter Henri Riviere was also inspired and created a series of lithographs called the Thirty-six Views of the Eiffle Tower. In 1999 Hokusai was the only Japanese person given a place in Life Magazine's "The 100 Most Important Events and People of the Past 100 Years."