請依下文回答第 46 題至第 50 題： Wherever you go in..-阿摩線上測驗

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請依下文回答第 46 題至第 50 題： Wherever you go in France, the country’s artistic heritage is very much in evidence. France does have her share of ugly urban sprawl and unlovely out-of-town hypermarkets, but these are eclipsed by her wealth of beautifully restored and maintained historic buildings which, together with striking new architecture and works of art, are part of the fabric of everyday life. France has had an important role throughout the history of western art which began with the cave painters of the Dordogne, long before their land became a nation. From the Renaissance onwards French kings invited the finest European painters to decorate their palaces, and Paris became the center of nearly all important artistic developments, whether the artists concerned were French or not. It was only in the nineteenth century that French painters formed a distinctively French movement that was far more influential than the Flemish, German and Italian schools of previous centuries. The impressionists and their successors radically altered the direction of European art, attracting even more foreign artists to Paris. Since the seventeenth century, when the Academies of painting and sculpture, and architecture were founded, architecture and the visual arts have been a central concern of the French state. Today, the Ministry of Culture is housed in the elegant seventeenth-century Palais-Royal, alongside two of the nation’s highest institutions, the Conseil Constitutionnel and the Conseil d’Etat, exemplifying the belief of Catherine Trautmann, the culture minister from 1997 to 2000, that “culture is at the heart of our democratic system.” This sentiment echoes the aims of her predecessors who include de Gaulle’s post-war minister Andre Malraux and Mitterrand’s innovative and daring minister, Jack Lang, both of whom wanted to enrich the lives of ordinary citizens.
【題組】46 What is the passage mainly about?
(A) The origin of European art.
(B) The ancient buildings of Paris.
(C) The importance of art to the French.
(D) The development of architecture in France.

高普考/三四等/高員級◆英文- 108 年 - 108 普通考試_各類科：英文#77413

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	eeeee55 國三上 (2021/04/12) Wherever you go in France, the country`s artistic heritage遺產 is very much in evidence. France does have her share of ugly urban sprawl蔓延 (都市擴張) and unlovely out-of-town hypermarkets大賣場, but these are eclipsed by her wealth of beautifully restored被修復的 and maintained維護的 historic buildings which, together with striking引人注目的 new architecture and works of art, are part of the fabric of everyday life. 法國這個城市雖然有些醜陋的建築，但被被她豐富的經過精心修復和維護的歷史建築所掩蓋。#第47題 eclipse (v.) 蝕(月亮那個)，引申覆蓋、掩蓋 fabric (n.) 織物/布料，引申為生活中的... 查看完整內容 Wherever you go in France, the country`s artistic heritage遺產 is very much in evidence. France does have her share of ugly urban sprawl蔓延 (都市擴張) and unlovely out-of-town hypermarkets大賣場, but these are eclipsed by her wealth of beautifully restored被修復的 and maintained維護的 historic buildings which, together with striking引人注目的 new architecture and works of art, are part of the fabric of everyday life. 法國這個城市雖然有些醜陋的建築，但被被她豐富的經過精心修復和維護的歷史建築所掩蓋。#第47題 eclipse (v.) 蝕(月亮那個)，引申覆蓋、掩蓋 fabric (n.) 織物/布料，引申為生活中的一部份 #第46.48題 France has had an important role throughout the history of western art which began with the cave painters of the Dordogne, long before their land became a nation. From the Renaissance文藝復興 onwards French kings invited the finest European painters to decorate their palaces宮殿, and Paris became the center of nearly all important artistic developments, whether the artists concerned were French or not. It was only in the nineteenth century that French painters formed a distinctively獨特地 French movement法國運動 that was far more influential than the Flemish, German and Ital.....看完整詳解檢舉

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	6F 김민주 大四上 (2022/01/13) 無論你去到法國的哪裡，這個國家的藝術遺產都顯而易見。法國確實擁有醜陋的城市擴張和不受歡迎的城外大型超市，但這些都由於它豐富的精美修復和維護的歷史建築而瑕不掩瑜，再加上引人注目的新建築和藝術品，是日常生活的其中一部份。法國在成為一個國家之前，西方藝術史從其在多爾多涅的洞穴畫家開始，就發揮了重要作用。從文藝復興以來，法國國王邀請最優秀的歐洲畫家來裝飾他們的宮殿，巴黎成為幾乎所有重要藝術發展的中心，無論有關之藝術家是否是法國人。直到19世紀，法國畫家才形成一種獨特的法國運動，其影響力遠遠超過前幾個世紀的佛蘭芒語、德語和義大利語學派。印象派及其繼承者從根本上改變了歐洲藝術的方向，吸引了更多的外國藝術家來... 查看完整內容無論你去到法國的哪裡，這個國家的藝術遺產都顯而易見。法國確實擁有醜陋的城市擴張和不受歡迎的城外大型超市，但這些都由於它豐富的精美修復和維護的歷史建築而瑕不掩瑜，再加上引人注目的新建築和藝術品，是日常生活的其中一部份。法國在成為一個國家之前，西方藝術史從其在多爾多涅的洞穴畫家開始，就發揮了重要作用。從文藝復興以來，法國國王邀請最優秀的歐洲畫家來裝飾他們的宮殿，巴黎成為幾乎所有重要藝術發展的中心，無論有關之藝術家是否是法國人。直到19世紀，法國畫家才形成一種獨特的法國運動，其影響力遠遠超過前幾個世紀的佛蘭芒語、德語和義大利語學派。印象派及其繼承者從根本上改變了歐洲藝術的方向，吸引了更多的外國藝術家來到巴黎。自17世紀以來，當繪畫和雕塑學院和建築學院成立時，建築和視覺藝術一直是法國關注的焦點。今日，文化部位於優雅的17世紀皇宮，與全國最高的兩個機構--法國憲法委員會和法國最高行政法院在一起，體現了1997年至2000年文化部長凱瑟琳．特勞特曼的信念「文化是我們民主制度的核心。」這種情緒與她前一任的目標相呼應，其中包括戴高樂時代戰後的部長安德烈馬爾羅和密特朗時代創新大膽的傑克朗，他們都希望豐富一般平民的生活。 1. heritage (n) 遺產 2. sprawl (v) (亂無秩序的)擴張 3. eclipse (v) 使...黯然失色; 重要性勝過 4. distinctively (ad) 獨特地 5. alter (v) 改變 6. institution (n) 機構 7. sentiment (v) 情感 8. innovative (a) 創新的 9. daring (a) 大膽的這篇文章的主旨是什麼 (A)歐洲藝術的起源 (B)巴黎的古老建築 (C)藝術對法國人的重要性 (D)法國建築的發展根據文章，第一段介紹藝術是法國人日常生活的一部分，第二段談及西方藝術史對於法國的重要影響，第三段談到有許多藝術家來到法國，第四段主要是談及近代文化與民主的關係，由此可推論本篇主旨為「藝術對法國人的重要性」。檢舉
	7F ~妏心~ 小一下 (2024/02/07) Wherever無論 you go in France法國, the country’s國家 artistic heritage遺產 is very much in evidence顯而易見、證據. 無論你在法國走到哪裡，這個國家的藝術遺產都是顯而易見的。 France does have her share of ugly urban sprawl擴張 and unlovely out-of-town城外 hypermarkets大賣場, 法國確實有她那份醜陋的城市擴張和不可愛的城外大賣場， but these are eclipsed遮蔽 by her wealth豐富、大量 of beautifully restored恢復 and maintained維持 historic buildings which, 但這些都被她大量經過精心修復和維護的歷史建築所掩蓋， together with striking敲擊、顯著 new architecture建築 and works of art藝術品, are p... 查看完整內容 Wherever無論 you go in France法國, the country’s國家 artistic heritage遺產 is very much in evidence顯而易見、證據. 無論你在法國走到哪裡，這個國家的藝術遺產都是顯而易見的。 France does have her share of ugly urban sprawl擴張 and unlovely out-of-town城外 hypermarkets大賣場, 法國確實有她那份醜陋的城市擴張和不可愛的城外大賣場， but these are eclipsed遮蔽 by her wealth豐富、大量 of beautifully restored恢復 and maintained維持 historic buildings which, 但這些都被她大量經過精心修復和維護的歷史建築所掩蓋， together with striking敲擊、顯著 new architecture建築 and works of art藝術品, are part of the fabric結構 of everyday life. 這些建築與引人注目的新建築和藝術品一起，是日常生活結構的一部分。 France has had an important role角色 throughout貫穿、遍及各處 the history of western西方 art which began開始 with the cave洞穴 painters畫家 of the Dordogne, long before their land土地 became a nation國家. 法國在西方藝術史上一直扮演著重要的角色，西方藝術史始於多爾多涅的洞穴畫家，早在他們的土地成為一個國家之前。 From the Renaissance文藝復興 onwards之前 French kings invited the finest最好的 European歐洲 painters畫家 to decorate裝飾 their palaces宮殿, 從文藝復興時期開始，法國國王邀請最優秀的歐洲畫家來裝飾他們的宮殿， and Paris became the center中心 of nearly幾乎 all important artistic developments發展, whether無論 the artists concerned有關 were French or not. 巴黎成為幾乎所有重要藝術發展的中心，無論有關藝術家是否是法國人。 It was only in the nineteenth century世紀 that French painters formed形成 a distinctively特殊 French法國 movement運動 that was far遠 more超過 influential影響 than the Flemish佛蘭德, German德國 and Italian義大利 schools of previous先前的 centuries世紀. 直到十九世紀，法國畫家才形成了一個獨特的法國運動，其影響力遠遠超過前幾個世紀的佛蘭德、德國和義大利畫派。 The impressionists印象 and their successors繼任者 radically根本上 altered改變 the direction方向 of European歐洲 art, attracting even more foreign artists to Paris. 印象派及其繼任者從根本上改變了歐洲藝術的方向，吸引了更多的外國藝術家來到巴黎。 Since the seventeenth century世紀, when the Academies學院 of painting繪畫 and sculpture雕刻, and architecture建築學 were founded成立, architecture建築 and the visual視覺 arts藝術 have been a central中心 concern關心 of the French state國家. 自17世紀繪畫學院、雕塑學院和建築學院成立以來，建築和視覺藝術一直是法國國家的核心關注點。 Today, the Ministry部 of Culture文化 is housed設立 in the elegant優雅 seventeenth-century世紀 Palais宮殿-Royal皇室的, alongside在旁邊 two of the nation’s國家 highest最高 institutions機構、制度, the Conseil憲法 Constitutionnel委員會 and the Conseil d’Etat, exemplifying例子 the belief of Catherine Trautmann, the culture文化 minister部長 from 1997 to 2000, that “culture is at the heart核心 of our democratic民主 system制度.” 今天，文化部設在優雅的 17 世紀皇宮內，與國家兩個最高機構——憲法委員會和 Conseil d'Etat 一起，體現了 1997 年至 2000 年擔任文化部長的凱薩琳·特勞特曼（Catherine Trautmann）的信念，即“文化是我們民主制度的核心”。 This sentiment情緒 echoes回應 the aims of her predecessors前任 who include包括 de Gaulle’s post-war戰後的 minister部長 Andre Malraux and Mitterrand’s innovative創新 and daring大膽 minister, Jack Lang, both of whom wanted to enrich豐富 the lives of ordinary普通 citizens公民. 這種情緒與她的前任的目標相呼應，其中包括戴高樂的戰後部長安德列·瑪律羅和密特朗的創新和大胆的部長傑克·朗，他們都希望豐富普通公民的生活。檢舉
	8F ~妏心~ 小一下 (2024/02/07) 46 What is the passage mainly主要 about? (A) The origin起源 of European art. (B) The ancient古老 buildings of Paris巴黎. (C) The importance of art to the French. (D) The development發展 of architecture建築 in France. 46 這段經文主要是關於什麼的？（A）歐洲藝術的起源。（B）巴黎的古建築。（C）藝術對法國人的重要性。（D）法國建築的發展。檢舉

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請依下文回答第 46 題至第 50 題： Wherever you go in..-阿摩線上測驗

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