［］17. 與拓本D 相對應的正確答案是:A 散氏盤 B 毛公鼎 C 漢簡 D 石鼓文

D

 

［］18. 與圖C 相對應的正確答案是: A 懷素 B 張旭 C 王羲之 D 米芾  C

［］19. 上述兩段文章的內容所強調的是: (A) 彩繪的材料與畫面空間的處理 (B) 專論質感表現的要領 (C) 彩繪的材料與畫面質感的表現 (D) 以上皆是   Any type of paint is suitable for use in paintings portraying texture: it is the way in which it is used that determines whether ornot the painting is successful. We look at watercolor, gouache, acrylic, and oil, occasionally mixing some of them together, as this canproduce surprising and exciting work.You don`t, initially, need to use all the mediums mentioned. Perhaps start with one, explore its possibilities, and then move on toanother. Every medium has its own natural capabilities for producing texture—and its limitations—and you need to discover these foryourself.

［］20. 上述兩段文章的內容裡曾提到那些繪畫材料? (A) 水彩顏料、碳精筆、蠟筆、油畫顏料 (B) 水彩顏料、水粉顏料、壓克力顏料、油畫顏料 (C) 水彩顏料、廣告顏料、膠彩顏料、油畫顏料 (D) 以上皆是   Any type of paint is suitable for use in paintings portraying texture: it is the way in which it is used that determines whether ornot the painting is successful. We look at watercolor, gouache, acrylic, and oil, occasionally mixing some of them together, as this canproduce surprising and exciting work.You don`t, initially, need to use all the mediums mentioned. Perhaps start with one, explore its possibilities, and then move on toanother. Every medium has its own natural capabilities for producing texture—and its limitations—and you need to discover these foryourself.

［］21. 依據上述兩段文章內容提示，繪畫者若要瞭解繪畫材料本身的特質，其最佳途徑為何? (A) 請教專家 (B) 自己去體驗發現 (C) 參考名家經驗 (D) 廣泛研究技法資料   Any type of paint is suitable for use in paintings portraying texture: it is the way in which it is used that determines whether ornot the painting is successful. We look at watercolor, gouache, acrylic, and oil, occasionally mixing some of them together, as this canproduce surprising and exciting work.You don`t, initially, need to use all the mediums mentioned. Perhaps start with one, explore its possibilities, and then move on toanother. Every medium has its own natural capabilities for producing texture—and its limitations—and you need to discover these foryourself.

［］22. 依據上述兩段文章內容提示，繪畫者若要表現出奇特的繪畫作品，其最佳途徑為何? (A) 多種材料的靈活運用 (B) 多種材料的均等運用 (C) 單一材料的靈活運用 (D) 依據繪畫者的習慣   Any type of paint is suitable for use in paintings portraying texture: it is the way in which it is used that determines whether ornot the painting is successful. We look at watercolor, gouache, acrylic, and oil, occasionally mixing some of them together, as this canproduce surprising and exciting work.You don`t, initially, need to use all the mediums mentioned. Perhaps start with one, explore its possibilities, and then move on toanother. Every medium has its own natural capabilities for producing texture—and its limitations—and you need to discover these foryourself.

［］23. 文中提到: 色彩學何時開始普受關注? (A) 十八世紀 (B) 十九世紀初 (C) 十九世紀末 (D) 二十世紀   General interest in the influence and rationale of color prevailed early in the nineteenth century. Runge published his color theory using the sphere as coordinate system in 1810. Goethe`s major work on color appeared likewise in 1810, and in 1816 Schopenhauer published his treatise “On Vision and Colors＂. The chemist M. E. Chevreul (1786-1889) published his work of color theory in 1839. This work was to become the scientific foundation of Impressionist and Neo-Impressionist painting. The Neo-Impressionists divided color areas into point elements. They affirmed that mixing pigments breaks the power of the colors. The dots of pure color were to become mingled only in the eye of the viewer.

［］24. 影響印象派畫家最深的色彩學家是: (A) Goethe (B) Runge (C) Chevreul (D) Schopenhauer   General interest in the influence and rationale of color prevailed early in the nineteenth century. Runge published his color theory using the sphere as coordinate system in 1810. Goethe`s major work on color appeared likewise in 1810, and in 1816 Schopenhauer published his treatise “On Vision and Colors＂. The chemist M. E. Chevreul (1786-1889) published his work of color theory in 1839. This work was to become the scientific foundation of Impressionist and Neo-Impressionist painting. The Neo-Impressionists divided color areas into point elements. They affirmed that mixing pigments breaks the power of the colors. The dots of pure color were to become mingled only in the eye of the viewer.

［］25. 文中最後一句所提到的色彩現象是: (A) 對比色彩的混色 (B) 視覺上的混色 (C) 色料的混合 (D) 色光的混合   General interest in the influence and rationale of color prevailed early in the nineteenth century. Runge published his color theoryusing the sphere as coordinate system in 1810. Goethe`s major work on color appeared likewise in 1810, and in 1816 Schopenhauerpublished his treatise “On Vision and Colors＂. The chemist M. E. Chevreul (1786-1889) published his work of color theory in 1839.This work was to become the scientific foundation of Impressionist and Neo-Impressionist painting. The Neo-Impressionists dividedcolor areas into point elements. They affirmed that mixing pigments breaks the power of the colors. The dots of pure color were tobecome mingled only in the eye of the viewer.

［］26. 下列四個答案中，那一個是文中未提及的? (A) 新印象派的點畫法 (B) 1810 年有兩位學者發表色彩理論 (C) Chevreul 發表色彩理論於1839 (D) 印象派畫家全都精通色彩理論。   General interest in the influence and rationale of color prevailed early in the nineteenth century. Runge published his color theoryusing the sphere as coordinate system in 1810. Goethe`s major work on color appeared likewise in 1810, and in 1816 Schopenhauerpublished his treatise “On Vision and Colors＂. The chemist M. E. Chevreul (1786-1889) published his work of color theory in 1839.This work was to become the scientific foundation of Impressionist and Neo-Impressionist painting. The Neo-Impressionists dividedcolor areas into point elements. They affirmed that mixing pigments breaks the power of the colors. The dots of pure color were tobecome mingled only in the eye of the viewer.

［］28. 上述五件雕刻作品中，那幾件作品屬於義大利巴洛克時期的作品? A A B B C C D E A   B   C     D

115年 - 115 高雄市立高雄高級中學_正式教師甄選試題︰美術科#140118

115年 - 115 教育部受託辦理公立高級中等學校教師甄選試題：美術科#139607

115年 - 115-1 臺北市立南湖高級中學_正式教師甄選試題：美術科#139212

115年 - 115-1 新竹縣立湖口高中_正式教師甄選試題：美術科#138646

115年 - 115-1 國立蘭陽女子高級中學_教師甄選初試試題：美術科#138640

115年 - [無官方正解]115-1 臺中市立豐原高級中等學校_教師甄試試題：美術科#138637

115年 - 115-1 臺北市立第一女子高級中學 _正式教師甄選試題：美術#137996

115年 - 115 大學入學美術術科考試試題：美術鑑賞#137367

114年 - 114-1 臺中市立豐原高級中等學校_教師甄選試題：美術科#139036

114年 - 114-1 臺中市立豐原高級中等學校_教師甄選試題：美術科#139033