40. Based on Passage Two, one can infer that ________________.
(A) Taiwan’s entering the WTO will lead to the political reconciliation with China
(B) there will be commitments to be made when Taiwan becomes a member of the WTO
(C) there will be reduction of taxes on every item in agricultural, industrial, and service
industries for foreign investors
(D) the establishment of the WTO owes to the significant contribution of the APEC
English poetry owes much to the Italian, especially for one of its best-known lyric
forms—sonnets. Back in the 16th century, sonnets were employed by many of the greatest
poets, including William Shakespeare. The greatest Italian sonneteers were Petrarch, Dante,
Tasso, Ariosto, Michelangelo, and Vittoria Colonna. Among these Italian sonneteers, English
poets identified themselves more with the Petrarchan style.
The first requirement of the Petrarchan sonnet was that it be limited to fourteen lines, which
are organically divided into an octave rhyming (with eight lines of lyrics) “abba abba,” and a sestet
(with another six lines) in which several rhyme schemes were permitted. At the end of the octave
there was a volte, or turn. Structurally speaking, the first eight lines provided the subject and
sufficiently amplified it, and the sestet provided the resolution. Almost from the beginning, the
English poets felt free to modify the strict Italian form, typically by eliminating the volte and
varying the rhyme scheme.
In the hands of Petrarch’s imitators, Italian, French and English, the sonnet became chiefly a
literary exercise, providing the poet, sometimes a gifted amateur, with the opportunity to display his
ingenuity in the expression of love which was entirely fictitious or directed to an imaginary person.
Certain conventions were usually followed. The male lover is the speaker; he is deeply in love
with a fair young lady whom he describes in superlatives. But the lady is as cold as she is chaste
and beautiful, and the man’s love remains unrequited, although he cannot choose but to continue in
a state of adoration and misery.

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