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115年 - 115 海岸巡防特種考試_四等_海洋巡護科輪機組:輪機工程概要(包括推進裝置概要、輔機概要與輪機英文)#143388(9題)

115年 - 115 海岸巡防特種考試_五等_海洋巡護:海巡勤務大意與海巡法規大意(包括海岸巡防法、國家安全法、海洋污染防治法、海關緝私條例、中華民國領海及鄰接區法、懲治走私條例、海岸巡防機關器械使用條例、臺灣地區與大陸地區人民關係條例第二章行政與第五章罰則、中華民國專屬經濟海域及大陸礁層法)#143387(50題)

115年 - 115 司法、調查特種考試_三等_司法事務官法律事務組、法院書記官、檢察事務官偵查實務組、法律實務組:刑事訴訟法#143386(2題)

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115年 - 115 海岸巡防特種考試_三等_各科組別:海巡法規(包括海岸巡防法、國家安全法、海洋污染防治法、海關緝私條例、中華民國領海及鄰接區法、懲治走私條例、海岸巡防機關器械使用條例、臺灣地區與大陸地區人民關係條例第二章行政與第五章罰則、中華民國專屬經濟海域及大陸礁層法)#143383(27題)

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115年 - 115 調查特種考試_三等_調查工作組(選試日文):外國文(日文)#143381(6題)

115年 - 115 調查特種考試_三等_醫學鑑識組:遺傳學#143380(7題)

115年 - 115 海岸巡防特種考試_三等_海洋巡護科輪機組:船用電機與自動控制#143379(4題)

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The good souvenir: representations of Okinawa and Kinmen islands in Asia Abstract Representations of indigenous Okinawa shisa (Japan) and Kinmen wind lion totems (Taiwan) are popular tourist souvenirs. They are also commonly used in destination tourism promotion as logos or mascots. Some tourism research describes these practices as exploitative and damaging to local culture. Other research suggests that resident consensus, local production and government sponsorship can produce a good souvenir that benefits local identity and economy. This paper reports on a semiotic analysis of these cultural representations as found onsite at these two destinations. Photographs are interpreted as index, icon and symbol according to Peirce’s semiotics compared. Seven types of representations were found that indicate complex relationships between original totems and their variations. The representations are the same for both destinations. This comparative research finds that each type of representation has a unique place in the tourism economy, but all are held together as a coherent whole by the form and location of the original totems. The good souvenir is a product of creative marketing and sponsorship and vigilant preservation of cultural heritage. The original totem form should be immutable; its value and significance increases over time. As commercial duplications proliferate, government policy should protect the originals and fix them in their physical locations. Introduction Pukaki is a carved wooden totem that represents a New Zealand Ngati Whakaue tribal ancestor. He was given to the British Crown in 1877 as a physical and spiritual seal of trust so that the tribal lands of the Rotorua Township would enjoy the benefits of development, especially for tourism. Negotiations over the 1880 Fenton Agreement and 1881 Thermal Springs Act broke down and disagreements led to violence and tribal leasehold-township lands were confiscated. The contracts were broken. Pukaki was not repatriated until 1997 when the true story of the unfulfilled agreements and his premature removal to Auckland Museum was told (Tapsell, 2000). The story of Pukaki’s confiscation by colonial powers illustrates heroic acts, tribal solidarity and determination to hold on to material representations of culture. Totems such as Pukaki are focal points of identity, pride and community. They are vulnerable because they are representations of the intangible values and beliefs of a cultural ideology. Violent confiscation of the totem or touristic distortion of its form can have serious effects on cultural identity.When disconnected, it will gradually slip from taboo to artifact, to curiosity and, finally, to nothing more than a souvenir for tourists. Totems are commonly found on islands in Oceanic and Asian cultures where they serve as boundary markers, spiritual guardians and geomantic talismans. They possess ancestral prestige, offer spiritual protection and are repositories of genealogically ordered histories. In tourism, versions of the original totems circulate as souvenirs and cultural novelties, mini attractions and representations for destination promotion. These tourism versions are commercialized in similar ways at different destinations. This paper discusses two examples: the Okinawa “shisa” or roof dog and the Kinmen “feng shr ye” or wind lion, in Japan and Taiwan, respectively. Visual methods using photographs and semiotic analysis seek similarities between the development of souvenirs and other representations for tourism at the two destinations. A survey of previous research concerning problems associated with using culture for tourism shows that residents, visitors, entrepreneurs and government authorities are all involved in the process. This paper shows a range of commodity forms based on indigenous totems and illustrates relationships between types, and suggests a policy for making the good souvenir. Research goals are as follows: • To survey theoretical perspectives on the commercial use of cultural representations in tourism and its effects; • To describe and compare the original and commodity forms of the Okinawa shisa and Kinmen wind lion totems; • To employ a semiotic1 analysis by using photographs to identify how traditional, commercial and promotional forms of the totems are used; and • To identify good practice guidelines for the production of cultural representations based on indigenous cultural totems for tourism.

3. 請說明與本研究主題相關之未來研究方向為何? 為什麼?(15%)

2. 請指出本文主要的研究結果與貢獻為何?(15%)

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62.銀行辦理客戶國內外交易,應留存必要交易紀錄,自交易完成時起應至少保存多久?(A)一年 (B)三年 (C)五年 (D)十年

68.「金融機構防制洗錢辦法」所稱具控制權係指直接、間接持有該法人股份或資本超過多少者? (A)百分之五 (B)百分之十 (C)百分之二十五 (D)百分之五十

69.依洗錢防制法規定,銀行辦理客戶國內外交易,應留存必要交易紀錄,自交易完成時起應至少保存多久? (A)十年 (B)五年 (C)三年 (D)一年

1454.若事前研判結果,推測可能會產生隆起現象,應採取的措施下列何者不適當? (A)擋土壁外側的房屋,可鏟除部分,以減少荷重 (B)採用剛性高之擋土壁,其設置深度須達良質地盤(C)改良開挖底面下之軟弱地盤,以增加地盤之抗剪強度(D)鄰接構造物,可 實施托換基礎。 

1455.若事前研判結果,推測可能會產生隆起現象,應採取下列何種措施? (A)開挖區域面積很大時,不得實施分區開挖(B)擋土壁外 側為空地時,不可鏟除亦不可擾動部分周圍地盤(C)改良開挖底面下之軟弱地盤,以增加地盤之抗剪強度(D)採用剛性低之擋土 壁,並使其設置深度盡量不觸及良質地盤。 

1456. 針對開挖面產生上浮隆起的原因,下列敘述何者為非? (A)開挖面粘土層自重不足,而無法抵抗受壓水層向上之浮力(B)開挖面 底部若為一層較薄之粘土層(C)粘土層,且其下為受壓水層(D)以上皆非。