32. According to the author, Lorentz's dramatic montage that juxtaposed tractors on the home front with tanks on the Western Front
(A) was a protest against the First World War.
(B) signaled the ruination of the land.
(C) celebrated the agricultural profits available during the First World War.
(D) celebrated the mechanized harvesting
(E) was preceded by images of dead animals and bleached bones on parched, depleted soil.