2. 103年台大社會系公告的篩選結果標準為：（1)國文+數學28級分、（2)英文15級分。 但結果發現程又青沒有進入第二階段，為什麼?___________。

Essay questions: 2. What are good sources of outside listening materials (media, websites) that you could use in class? Please make a detailed introduction to these materials and then design a 50-minute lesson plan for teaching English listening. (20%)

Essay questions:3. Test Editing : Please paraphrase the following passage within 250~300 words, making it a new one targeting 11th graders. And set a cloze test of 5 questions with four multiple choices based on your paraphrase. (20%)          There's something seemingly scandalous, irreverent about Simon Meek's notion of "playing through" novels like Crime and Punishment or Wuthering Heights.          But in practice, Meek's work transforming the world's great literature into something experienced on a gaming console is more akin to performance art or theater than it is video games.          What Meek and Scottish-based Tern TV are creating to be experienced on computers, iPads and game consoles isn't video games, not really. The group is creating digital adaptations, works that put readers inside the scenes of a classic and asks them to experience the story from the inside out. Meek says he's always had a "bit of a bee in my bonnet" about the evolution of the story from book to screen. But what bothers him aren't the television and movie adaptations of books. What bothers him are electronic books. Meek says he doesn't like that electronic books still have people reading printed words on white pages that need to be turned.          Not just another ebook. That being said, Meek doesn't want to create something that competes with ebooks, his goal is far loftier: He wants to transform books into adaptations that change the way a reader experiences them and in so doing hopefully expand a book's reach.          While Meek wasn't able to discuss the details of their first work, he was able to walk me through how an adaptation would work in general.  "Players enter the stories through the events that take place in that story," he explains. "We then let the player progress through an array of media that is directly taken/reinterpreted from the book."          Sections of the book's original text will also be occasionally displayed on the screen "when words are best placed to tell the story," he said.          A key element to his form of adaptation is that unlike with most video game adaptations, you don't actually play as a character from the book. Instead you are an observer to what occurs inside the book's world. So unlike with most video games, this will be an interactive experience overtly robbed of its influence on what happens. Players are there to actively absorb the experience of the novel, but not change its outcome.          "You act more like a director in a multimedia reenactment of the story, where imagination is still key to the retelling (that's a really important point)," Meek said. "You can't change the plot, although you can navigate the text in a different way - following your instincts and discovering aspects of the story that appeal to you most."          Players experience the story by traveling between settings. I asked [Meek] to explain one such setting for a book they're considering working on next, Wuthering Heights. In one scene in the Emily Bronte classic, players would find themselves in Cathy Linton's room.          "At this point they can see everything that is described in the book, filled out with all manner of objects that we know are in fitting for a room of that sorts, "Meek said, " Interestingly, I think the real shame with the nation of people not reading books is that the stories held within them may become lost - this approach opens up the story to a wider audience (and potentially a new audience, which is something that the book publishers are desperate for)."           The choices left to players of this form of book wouldn't be about which path you take a get to the end, or how the work ends, but rather how it is experienced. 

貳、作文：計四十分 說明：一、請由左至右橫式書寫，文言、白話不拘，並加標點符號，違者按規定扣分。 二、限用黑色、藍色原子筆、鋼筆或毛筆（不得使用鉛筆）書寫，違者按規定扣分。 三、不得以詩歌或書信體寫作，違者不予計分。  美國一份商業雜誌，曾專訪 25 位傑出的財經界人士，談他們這一生最受用的建議。在你的記憶中， 是否曾經有過那麼一句話，能夠啟發自己，成為自己待人接物的準則，或是在一個重要的生命轉捩點 ，影響你並帶給你極大的啟示。請以最受用的一句話為題，寫出一篇完整的文章，內容需包含此一句 話的意義，並舉例說明此一句話對你的影響或啟示。  題目：最受用的一句話

1.請問台大社會系的甄試人數 為___人。

3.後來發現李大仁順利進入台大社會系的第二階段，最有可能的原因是 ?____。

4.假設兩人都通過中央大學法文系繁星推薦的檢定，請問，以錄取的優先順序而言，誰 優先?______

5.承上題：為什麼 ?__________________。

【已刪除】問答題以下是丁立威選組前所填寫的資料，他跑來向你諮詢選組，你會給予什麼樣的建議?

一、請說明學校處理個案會議的進行原則。(請書窵於答案紙第2頁）

二、請說明後現代焦點解決短期治療的晤談架構。(請書窵於答案紙第3頁）