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115年 - 21300 陶瓷手拉坯 丙級 工作項目 07:作品乾燥與管理 1-50(2026/01/09 更新)#136680(50題)
115年 - 21300 陶瓷手拉坯 丙級 工作項目 06:修坯 51-94(2026/01/09 更新)#136679(44題)
115年 - 21300 陶瓷手拉坯 丙級 工作項目 06:修坯 1-50(2026/01/09 更新)#136678(50題)
115年 - 21300 陶瓷手拉坯 丙級 工作項目 05:拉坯 101-142(2026/01/09 更新)#136677(42題)
115年 - 21300 陶瓷手拉坯 丙級 工作項目 05:拉坯 51-100(2026/01/09 更新)#136676(50題)
115年 - 21300 陶瓷手拉坯 丙級 工作項目 05:拉坯 1-50(2026/01/09 更新)#136675(50題)
115年 - 21300 陶瓷手拉坯 丙級 工作項目 04:練土 1-49(2026/01/09 更新)#136674(49題)
115年 - 21300 陶瓷手拉坯 丙級 工作項目 03:識圖 1-57(2026/01/09 更新)#136673(57題)
115年 - 21300 陶瓷手拉坯 丙級 工作項目 02:機具、工具之使用與維護 51-72(2026/01/09 更新)#136672(22題)
115年 - 21300 陶瓷手拉坯 丙級 工作項目 02:機具、工具之使用與維護 1-50(2026/01/09 更新)#136671(50題)
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31.臺海飛彈危機期間,有關國軍的應對情形,下列何者有誤? (A)國防部軍事準備,穩定民心 (B)維持與美聯繫,爭取支持 (C)封鎖民間消息,積極備戰 (D)國防部、參謀本部頻繁探視前線,激勵士氣。
30.在臺海飛彈危機期間,我國以三層危機因應機制應對,下列何者為非? (A)國防部軍事準備,穩定民心 (B)維持與美聯繫,爭取支持 (C)運用國際輿論譴責中國大陸 (D)國安會決策分析。
29.有關臺海飛彈危機期間,中國大陸文攻武嚇的策略,下列何者有誤? (A)透過官方媒體人民日報、新華社,強烈抨擊李登輝破壞兩岸關係 (B)官方發表聲明,強調臺灣問題是內政問題 (C)海軍鳳陽艦在蘇澳外海發現不明潛艦 (D)對金門發射 6 枚東風 15 型彈道飛彈。
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8. 高中學生普遍都未有打靶或槍枝認識的相關經驗,若您有 6~8 週的課程時間,請規劃如何讓學生熟習槍枝及了解打靶相關知能,並規劃一次打靶的校外教學活動。(10 分)
7. 總統於 2024 年 6 月 19 日記者會宣布,於總統府成立「全社會防衛韌性委員會」,邀集各界代表,作為擬定全民自我保護能力策略,因應各種災害和風險之溝通平台。以每季於總統府召開一次為原則,肩負社會參與的平台、社會溝通的橋梁,及政策效能的引擎三項任務,以凝聚社會共識並落實行動,強化台灣社會整體韌性,讓台灣持續壯大。試問,依據總統府「全社會防衛韌性委員會設置要點」,該會任務所彙整涵蓋五大主軸重點工作(建言)為何?(10 分)
6. 據國防部頒「114 年推展全民國防教育工作計畫」中的工作規劃,區分有一、學校教育二、社會教育三、政府機關(構)在職教育四、國防文物保護宣導及教育等四類,試問:在「學校教育」中,國防部與教育部共同辦理活動為何?請列舉活動名稱五項。(10 分)
最新課程
化學教師甄選題目匯總
講師:
Kai
簡介:
課程目的: 本課程旨在為有志於從事化學教學的教師提供全面的甄選題目匯總,以幫助其有效備考並在甄選考試...
幼兒教育及照顧法
講師:
Mark
簡介:
介紹幼兒教育及照顧法規內容 第一節總則 第二節教保服務機構設立及其教保服務 第三節教保服務機構組織與服...
師資培育法
講師:
Mark
簡介:
何謂師資培育法 何謂師資培育生
最新主題筆記
永續經營1-7
描述:
永續經營1-7
永續經營1-8
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永續經營1-8
永續經營1-9
描述:
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最新討論
大陸地區人民如果要來臺灣觀光,應符合一定條件始得申請許可,下列條件何者正確? (A)有固定正當職業或學生 (B)赴國外打工遊學 (C)有等值新臺幣10萬元以上之存款,並備有大陸地區金融機構出具之證明 (D)旅居香港、澳門取得當地依親居留權並有等值新臺幣10萬元以上存款且備有金融機構出具之證明
15 各類場所於增建、改建或變更用途時,其消防安全設備之設置,下列何者非適用增建、改建或變更用途後之標準? (A)火警自動警報設備 (B)緊急照明設備 (C)室內消防栓設備 (D)標示設備
複選題20 甲向某市政府申請核發建造執照,遭否准。甲不服,遂提起訴願。於訴願審議中,市政府撤銷原 否准決定,並為核發建造執照之處分。此時受理訴願機關依法應為如何之決定? (A)訴願不受理 (B)以訴願無理由駁回 (C)撤銷原處分,自為核定處分 (D)以情況決定駁回
9、下列四種學派中,哪兩者屬於衝突理論的代表? ①芝加哥社會學派②法蘭克福學派③伯明罕文化學派④倫敦路線 (A)①②(B)①③(C)②③(D)②④
9 依行政程序法規定,行政機關執行職務得向其他機關請求協助之敘述,下列何者錯誤? (A)因法律上之原因,不能獨自執行職務者,得請求之 (B)可請求有隸屬關係之機關為協助 (C)由被請求機關協助執行,顯較經濟者,得請求之 (D)執行職務所必要認定之事實,不能獨自調查者,得請求之
III. Rewrite and Cloze-Test Design 15%Rewrite the following article into a short passage within 150-250 words and design 5 cloze questions for B2-level high school students.Anyone with more than a superficial knowledge of Shakespeare’s plays must necessarily entertain some doubt concerning their true authorship. Can scholars honestly accept the idea that such masterworks were written by a shadowy actor with limited formal education and a social position that can most charitably be called “humble”? Obviously, the real author had to have intimate knowledge of life within royal courts and palaces, yet Shakespeare was a commoner, with little firsthand experience of the aristocracy. Common sense tells us that the plays must have been written by someone with substantial expertise in the law, the sciences, classics, foreign languages,and the fine arts. Someone, in other words, like Shakespeare’s eminent contemporary, Sir Francis Bacon.The first person to suggest that Bacon was the actual author of the plays was Reverend James Wilmot. Writing in 1785, Wilmot argued that someone of Shakespeare’s educational background could hardly have produced works of such erudition and insight. But a figure like Bacon, a scientist and polymath of legendary stature, would certainly have known about, for instance, the circulation of the blood as alluded to in Coriolanus. And, as an aristocrat, Bacon would have possessed the familiarity with court life required to produce Love’s Labour’s Lost. Delia Bacon (no relation to Sir Francis) was next to make the case for Francis Bacon’sauthorship. In 1856, in collaboration with Nathaniel Hawthorne, she insisted that it was ridiculous to look for the creator of Hamlet among “that dirty, doggish group of players, who come into scene of the play Hamlet summoned like a pack of hounds to his service.” Ultimately, she concluded that the plays were composed by a committee consisting of Bacon, Edmund Spenser, Walter Raleigh, and several others.Still, some might wonder why Bacon, if indeed the plays were wholly or partially his work, would not put his own name on them. But consider the political climate of England in Elizabeth times. Given that it would have been politically and personally damaging for a man of Bacon’s position to associate himself with such controversial plays, it is quite understandable that Bacon would hire a lowly actor to take the credit and the consequences.But perhaps the most convincing evidence of all comes from the postscript of a 1624 letter sent to Bacon by Sir Tobie Matthew. “The most prodigious wit that I ever knew … is your lordship’s name,” Matthew wrote, “though he be known by another.” That name, of course, was William Shakespeare.